Overall, Piranesi's etching of Piazza Navona is a masterful example of his skill as an artist and printmaker, showcasing his ability to capture the details and atmosphere of a bustling public space in Rome. Piranesi's use of light and shadow creates a dramatic effect, emphasizing the grandeur and beauty of the square. The detailed architectural elements of the buildings are also depicted, including the facades, windows, and balustrades. 174950 Not on view A native of Venice, Piranesi went to Rome at age twenty and where he remained for the remainder of his life. Piranesi's etching captures the bustling activity of the square, with people strolling around, interacting with the fountains, and admiring the surrounding buildings. Giovanni Battista Piranesi Italian Publisher Giovanni Bouchard Italian ca. A fine, sharp impression from a lifetime Roman edition (before erasure of the price), on heavy. by: Giovanni Battista Piranesi - Yale Center for British Art. The print shows the three famous fountains that adorn the square, including the central Fontana dei Quattro Fiumi (Fountain of the Four Rivers) designed by Gian Lorenzo Bernini. Etching, 1751, from Vedute di Roma, 412 x 547 mm., Hind 16 iv/vi. Piazza del Popolo (View of the Piazza del Popolo), from Vedute di Roma (Views of Rome). In the etching, Piranesi depicts the grand public square of Piazza Navona, which was originally built in the 1st century AD and was later transformed in the Baroque style in the 17th century. His etching of Piazza Navona in Rome, created in 1773, is a notable example of his work. Available as an art print on canvas, photo paper, watercolor board. Giovanni Battista Piranesi was an Italian artist and printmaker who was known for his etchings of Rome. View of the Piazza di Spagna, from Views of Rome by Giovanni Battista Piranesi.
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